现代主义，一言以蔽之，就是以规矩的特有方式反对规矩本身。 中文版2009年将由广西师范大学出版社出版。

Essays Critical and Clinical was the final work of the late Gilles Deleuze, one of the most important and vital figures in contemporary philosophy. It includes essays, all newly revised or published here for the first time, on such diverse literary figures as Herman Melville, Wait Whitman, D. H. Lawrence, T. E. Lawrence, Samuel Beckett, Leopold von Sacher-Masoch, Alfred Jarry, ...(展开全部)

Essays Critical and Clinical was the final work of the late Gilles Deleuze, one of the most important and vital figures in contemporary philosophy. It includes essays, all newly revised or published here for the first time, on such diverse literary figures as Herman Melville, Wait Whitman, D. H. Lawrence, T. E. Lawrence, Samuel Beckett, Leopold von Sacher-Masoch, Alfred Jarry, ...(展开全部)

杜朴（Robert L. Thorp），早期中国艺术领域的权威学者，华盛顿大学圣路易斯分校艺术史和考古系荣休教授，著述丰硕。杜朴博士除了在远东广泛游历和参加田野考察工作外，还合作策划了几个重要的展览，并受邀在多个以中国艺术收藏著称的美国博物馆做讲座。 文以诚 （Richard Ellis Vinograd），著名的中国画研究专家，1995 年起任斯坦福大学艺术和艺术史系主任。他是晚期中国（宋代至今）艺术领域备受尊崇的学者，著有《自我的界限：1600-1900 的中国肖像画》，在许多重要刊物上发表过文章和书评。文以诚博士经常受邀以演讲者、评审或研讨者的身份出席有关中国艺术与文化的会议和论坛。

杜朴（Robert L. Thorp），早期中国艺术领域的权威学者，华盛顿大学圣路易斯分校艺术史和考古系荣休教授，著述丰硕。杜朴博士除了在远东广泛游历和参加田野考察工作外，还合作策划了几个重要的展览，并受邀在多个以中国艺术收藏著称的美国博物馆做讲座。 文以诚 （Richard Ellis Vinograd），著名的中国画研究专家，1995 年起任斯坦福大学艺术和艺术史系主任。他是晚期中国（宋代至今）艺术领域备受尊崇的学者，著有《自我的界限：1600-1900 的中国肖像画》，在许多重要刊物上发表过文章和书评。文以诚博士经常受邀以演讲者、评审或研讨者的身份出席有关中国艺术与文化的会议和论坛。

The spirit of adventure is at the heart of Jonathan Spence's widely acclaimed scholarship on the modern history of China. This vitality, fleshed out with deep research and attired in elegant style, has drawn countless readers to subjects otherwise approachable only by experts. Through eight books, from the story of the early eighteenth century Manchu bondservant Ts'ao Yin to hi...(展开全部)

Michael Fried's often controversial art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for "Three American Painters," the text of his book "Morris Louis," and "Art and Objecthood." Originally published between 1962 and 1977, the essays continue to generate debate today. These are u...(展开全部)

Although Chinese narrative, and especially the genres of colloquial fiction, have been subjected to intensive scholarly scrutiny, no comprehensive volume has provided a framework that would permit an overall view of the tradition. The distinguished contributors to this volume have taken an important first step in making possible the consideration of Chinese narrative at the lev...(展开全部)

作者 浦安迪（Andrew H. Plaks），1945年出生于美国纽约，1973年获普林斯顿大学博士学位。现为普林斯顿大学东亚系和比较文学系荣休教授。其研究领域广泛，如中国古典文学、叙事学、中国传统思想文化、中西文学文化比较等。主要著作有：《<红楼梦>的原型与寓意》《明代小 说四大奇书》《中国叙事：批评与理论》《中国叙事学》等 译者 吴文权，广东外语外贸大学教师，毕业于南京大学外国语学院，德国蒂宾根大学经济系，译有赫塔米勒《呼吸秋千》（合译），为《中西文化精要》系列图书英译本主译之一（该书已由麦克米兰公司出版），另译有特里·伊戈尔顿《幽默》（待出）。

John Johnston's background combines expertise in modern literature, poststructuralist philosophy, and high technology's production. Like Kittler, he draws on historic fact, anecdote, and literature. From this vantage point he explicates the theoretical and practical consequences of Friedrich Kittler's insights into the social and psychological effects of the processes by which ...(展开全部)